May 18, 2005
Black, Maurice J. 2002 “The Art of Code.” PhD Dissertation, University of Pennsylvania. [Department of English.]
As the abstract says:
Arguing that software’s increasing abstraction from hardware has defined computer programming practices for the last half-century, this dissertation shows how that abstraction has shaped the aesthetics, politics, and professional culture of programming. Specifically, the dissertation examines how some programmers have adopted a literary approach to coding, describing carefully crafted code as “beautiful,” “elegant,” “expressive,” and “poetic”; writing and reading programs as literary texts; and even producing hybrid artifacts that are at once poems and programs. This project has two central goals: first, to show how identifiably linguistic sensibilities have influenced programming theory and culture; second, to show how programming theory, as a body of knowledge that thinks deeply about the semantics and organization of textual structures, can contribute to the project of literary study. >
I’ve just posted my extensive notes from reading this intriguing dissertation.