September 12, 2014

My Boston-Area Events This Fall

from Post Position
by @ 12:19 pm

Yes, the first event is today, the date of this post…

September 12, Friday, 6pm-8pm

Boston Cyberarts Gallery, 141 Green Street, Jamaica Plain, MA
“Collision21: More Human” exhibit opens – it’s up through October 26.
“From the Tables of My Memorie” by Montfort, an interactive video installation, is included.


September 18, Thursday, 7pm-8pm

Harvard Book Store, 1256 Massachusetts Ave, Cambridge, MA
Montfort reads from #!, World Clock, and the new paperback 10 PRINT
http://www.harvard.com/event/nick_montfort/


September 24, Wednesday, 7:30pm

Boston Cyberarts Gallery, 141 Green Street, Jamaica Plain, MA
Montfort joins a panel of artists in “Collision21: More Human” for this Art Technology New England discussion.
http://atne.org/events/sept-24th-collision21-more-human/

September 8, 2014

More Human to Open September 12

from Post Position
by @ 9:54 pm

An upcoming exhibit, a group show here in town, features a work of mine…


Collision21: More Human

The exhibition Collision21: More Human will be at the Boston Cyberarts
Gallery September 13-October 26, 2014, with an opening on Friday, September
12th from 6 to 9pm. This is a group show dealing with two closely-related
concepts: human self-modification and the human modification of our
environment. Formed by artists and technologists, the COLLISIONcollective is
premised on the sometimes abrupt intersection between art and technology.   

August 11, 2014

Nancy Tovar Collection and Metadata Games

Tiltfactor Lab is pioneering an innovative method for data preservation. Metadata Games aims to be a useful and fun means of preserving archival materials as libraries and museums move into an increasingly digitalized world. Metadata Games aims to be a means to draw in larger communities to help libraries, museums, and archives to augment their records of materials. Through crowdsourcing, the games being developed take advantage of the powers of technology and societal efforts in order to “tag” and code material to represent the content and meaning of media items. The most common and standardized format for the generation of metadata is to create tags, in the form of single words or short phrases. In order to make media items, such as photographs, films, and audio clips, more accessible, those archives must be presented with accurate descriptions and connections with similar work or information.

July 13, 2014

10 PRINT in Clock 52

from Post Position
by @ 4:29 pm

Clocks are great machines to design, at least from my perspective as a designer of software machines. My classes have had unusual clock design as an exercise; time-telling systems are not interactive, provide a lot of freedom to the designer, and yet require programmers to develop general functions that work for any time of the day. I know that Michael Mateas and Paolo Pedercini have students program clocks, too. I’ve appreciated software clocks by John Maeda and others, and it’s nice to have a clock as a standard example in Processing.

April 24, 2014

Bitcoin for your Warhol!

from Post Position
by @ 9:59 am

Thanks to Golan Levin’s “atypical, anti-disciplinary and inter-institutional” FRSCI lab, the CMU Computer Club, and ROM hacking bit-boy Cory Archangel, several instances of previously unknown visual artwork, done by Andy Warhol on the Amiga 1000 in 1985, have been recovered.

CA$H for your WARHOL sign

April 22, 2014

A Superreboot

from Post Position
by @ 6:52 pm

There’s a remake (or maybe a reboot?) of superbad.com, the classic, off-kilter, uncanny art website that was employed back in 2008 in a Grand Text Auto April Fool’s joke.

It’s www.orworse.net.

I guess they made it worse by adding a “www.”

March 26, 2014

E.T.‘s Material Mess

from Post Position
by @ 11:20 am

My comments were part of a brief piece on NPR’s All Things Considered yesterday. NPR only turns to me when there’s a very serious issue at stake; this time, some documentary filmmakers were thwarted, at least for the moment, in their quest to visit an Alamogordo, New Mexico landfill and dig up the large number of E.T.: The Extraterrestial Atari 2600 cartridges that, according to reports, are buried there.

Lots of people read the story of E.T. (the video game) as one of monumental punishment for a media company’s disrespect for users/players. To me, there are at least two other important points.

March 20, 2014

“Envisioning the Future of Computational Media”

from Post Position
by @ 12:55 pm

The final report of the Media Systems workshop has just been released:

“Envisioning the Future of Computational Media.”

You can download either the executive summary alone or the whole report.

I took part in the Media Systems workshop in 2012 with about 40 others from across the country. The workshop was sponsored by the National Science Foundation, National Endowment for the Humanities, National Endowment for the Arts, Microsoft Studios, and Microsoft Research. As Noah Wardrip-Fruin, co-author and co-organizer of the workshop, writes on the HASTAC site:

March 19, 2014

A “Programs” Writeup

from Post Position
by @ 8:37 pm

Matthew Battles has a nice post about the “Programs at an Exhibition” show, up now on the metaLAB blog.

A “Programs” Writeup

from Post Position
by @ 8:37 pm

Matthew Battles has a nice post about the “Programs at an Exhibition” show, up now on the metaLAB blog.

March 11, 2014

“Programs at an Exhibition” Cards

from Post Position
by @ 7:46 pm

From the “Programs at an Exhibition” exhibit, the C64 BASIC (Montfort) card, and the Perl (Thayer) card – both are being offered for visitors to take.

Photos from “Programs at an Exhibition”

from Post Position
by @ 12:57 pm

Here’s some documentation of “Programs at an Exhibition” by Nick Montfort & Páll Thayer, an exhibit of five Commodore 64 BASIC programs and five Perl programs at the Boston Cyberarts Gallery, March 6-16, 2014.

Exterior

The front of the gallery hosts a Commodore 64 running Nick Montfort’s “After Jasper Johns” (left) and an Intel/Ubuntu computer running Páll Thayer’s “Flag” (right). These two pieces respond to and rework the famous 1954 painting, Flag, which is in the collection of the MoMA. Jasper Johns, we salute you.

Take some code

March 3, 2014

“Programs” Previewed at Boston.com

from Post Position
by @ 6:17 pm

Here’s the Boston.com article on our exhibit “Programs at an Exhibition,” which opens Thursday (March 6). Hope to see you at the opening, which is 6pm-9pm.

February 28, 2014

Get Yer Consumer Survey Here

from Post Position
by @ 5:33 pm

I like clicking through this: “Psychographics: Consumer Survey” by Dane Watkins. And I learned something about myself by doing so. I think. Yes.

February 25, 2014

“Programs at an Exhibition” March 6-16

from Post Position
by @ 4:18 pm

Nick Montfort & Páll Thayer

Programs at an Exhibition

At the Boston Cyberarts Gallery
141 Green Street, Jamaica Plain, MA 02130
Located in the Green Street T Station on the Orange Line
Phone number: 617-522-6710

The exhibit runs March 6 through March 16.

Opening: 6pm-9pm, Thursday March 6.

A snapshot of 'After Jasper Johns,' Nick Montfort, installed at the Boston Cyberarts Gallery

February 19, 2014

“Programs at an Exhibition” Opens March 6

from Post Position
by @ 1:57 pm

I’ll post more on this soon, but for now, let me invite you to the opening of my & Páll Thayer’s show at the Boston Cyberarts Gallery: 141 Green Street, Jamaica Plain, MA 02130, located in the Green Street T Station on the Orange Line, 617-522-6710.

The opening is 6pm-9pm on Thursday March 6.

February 11, 2014

Purple Blurb’s Digital Writing Events this Semester

from Post Position
by @ 6:35 pm

Purple Blurb, MIT’s digital writing series organized by Prof. Nick Montfort of the Trope Tank, powers on, thanks to the four excellent writers/artists who will be presenting in Spring 2014. All events this semester will be held Mondays at 5:30pm in MIT’s room 14E-310.

Purple Blurb presenters Spring 2014

March 10, 5:30pm in 14E-310:

Páll Thayer
Microcodes

Short Perl programs that are also artworks, presented for viewers to read, download, and execute. Thayer will trace some key steps showing how he went from his background in painting and drawing to presenting code as his artwork.

December 15, 2013

No Code: Null Programs

from Post Position
by @ 2:15 pm

Just posted: TROPE-13-03 – No Code: Null Programs by Nick Montfort, in the Trope Report series (technical reports from my lab the Trope Tank at MIT).

To continue the productive discussion of uninscribed artworks in Craig Dworkin’s No Medium, this report discusses, in detail, those computer programs that have no code, and are thus empty or null. Several specific examples that have been offered in different contexts (the demoscene, obfuscated coding, a programming challenge, etc.) are analyzed. The concept of a null program is discussed with reference to null strings and files. This limit case of computing shows that both technical and cultural means of analysis are important to a complete understanding of programs – even in the unusual case that they lack code.

September 8, 2013

Ultraconcentrated and a Suit that Outdoes the Moon

from Post Position
by @ 8:32 pm

I went to New York to attend the opening of Ultraconcentrated, Casey Reas’s solo show at bitforms. As a rather pure computationalist, one who always tries to maximize code and minimize data, I was a teensy bit wary of the data-driven nature of Casey’s work in this show, which is based, to some extent, on digital television. This idea of using data wasn’t completely offputting, though; Casey and collaborator Ben Fry have done a nice mural here at MIT, which I often walk by, called Signals and based on the interconnections of proteins.

July 19, 2013

Hoc Opus, Hic Labor Est

from Post Position
by @ 12:34 pm

Some of the Internet, Printed Out

The Internent isn’t just the Web; it’s also telnet, Gopher, email … and the Worl. Here are 500 pages of the Worl that I printed out and mailed today to Kenneth Goldsmith’s exhibit, Printing Out the Internet.

The Worl is accessible to anyone who has a recent Web browser and has installed The Deletionist.

May 8, 2013

DAX v.2 – Digital Arts Exhibition this week!

from tiltfactor
by @ 9:35 am

This week is the Digital Arts Exhibition at Dartmouth! All week long FAB(rication) Lab has been going on in the Hopkins center with students and visitors learning about programming, animation,  and many other subjects that combine art and technology!

Tomorrow (Thursday, May 9th) from 7pm to 10pm in the Black Family Visual Arts Center will be the Digital Arts Exhibition with interactive installations, games to play, and student artwork! There will be food from Salt Hill Pub. There will be a student animation showing at 7:30pm and student live action showing at 9:00pm.

January 18, 2013

Just Posted, Computational, Conceptual

from Post Position
by @ 6:54 pm

Now online: “The First M Numbers Classified in Alphabetical Order.”

This was my New Year’s poem for 2013. It is based on Claude Closky’s 1989 “Les 1000 premiers nombres classés par ordre alphabétique” [The First 1000 Numbers Classified in Alphabetical Order], which he laser printed and which begins this way:

From Closky's The First 1000 Numbers Classified in Alphabetical Order

A full image of the first page spread (which is the source for the image above), and more context for this work, is available on this page.

The printed copies of my “The First M…” were dot-matrix printed on two connected sheets of fanfold paper. In the printout, as online, I included the program as well as the output.

January 15, 2013

Chercher le Text Call for Artistic Works

from Post Position
by @ 4:22 pm

Here is the call for artistic proposals for the ELO 2013 “Chercher le Text” in Paris!

The “chercher le texte” event deals with literary issues and text-oriented multimedia practices on digital devices: digital books, texts generated or animated through programming, fiction hypertexts, “manipulable”, playable works, or on the contrary works whose very program embraces literariness. The considered devices range from computers to mobile devices, including social networks. They can be used in various contexts: installations, performances, personal devices designed for digital reading. These contexts range from solo reading to collaborative or participative reading.

January 6, 2013

Radical Books of 2012 (6/7)

from Post Position
by @ 2:50 pm
Book from the Ground

· → → ·
Book from the Ground
Xu Bing

120 pages

The dot of unconsciousness opens – and then winks out again. The book, one point in a project that Xu Bing has undertaken since 2003, is written entirely as a series of symbols, narrating a daily odyssey (or perhaps a Ulysses) that is read left-to-right and from top to bottom but almost entirely without the use of words or letters – they only appear as part of logos and the like. Symbols derived from Neurath’s Isotype system, which led to today’s airport signs, are used alongside emoticons and computer icons to describe the workplace experiences, fraternal beverage consumption, dating, and insomniac video game play of a rather harried, forgetful, busy, and not particularly productive generic man who lives in a city located on [globe icon]. By borrwing a bit from comic conventions within this typographical framework, not only actions but also thoughts and the topics of discussions are depcited (to me, at least) legibly.

December 1, 2012

Farking, Processing, and 10 PRINT

from Post Position
by @ 10:25 pm

The book 10 PRINT CHR$(205.5+RND(1)); : GOTO 10 (and the program) have been discussed as “cool” on Fark. (I was hoping for a Photoshop contest with the program’s output, but this is nice, too…)

One of my co-authors, Casey Reas, has issued a 10 PRINT design challenge to the Processing community. There’s already been one program written in reply.

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