Grand Text Auto

Tiltfactor is interested in learning and in our context as an academic-focused research laboratory. The essay “Making College ‘Relevant” by Kate Zernike (Dec 29 2009) offers up an interesting take on “training” students for specific careers and jobs. While students and parents increasingly worry about the applicability of students’ future skills, the “Association of American Colleges and Universities recently asked employers who hire at least 25 percent of their workforce from two- or four-year colleges what they want institutions to teach. The answers did not suggest a narrow focus. Instead, 89 percent said they wanted more emphasis on ‘the ability to effectively communicate orally and in writing,’ 81 percent asked for better ‘critical thinking and analytical reasoning skills” and 70 percent were looking for “the ability to innovate and be creative.’” We’re delighted to see this type of response. Students who work with Tiltfactor , and who learn at Dartmouth College, learn broad thinking, problem solving, and creativity skills while innovating in new forms of communication– in our case, games.

Indie Italian gamemaker Molleindustria’s release Every Day the Same Dream is a simple, elegant, exploration into the banalities of everyday corporate life.

While there are some glaring stereotypes that take away from its freshness and originality (especially in regard to gender; the character’s wife is in the kitchen with a frying pan in the morning and tells the character he is late for work; the office execs are all male, etc.), the game has a nice polish, another interpretation of the plight of the worker-drone already much explored in film (from Fritz Lang’s Metropolis, to Charlie Chaplin’s Modern Times, Mike Judge’s Office Space and Cindy Sherman’s Office Killer.)

Molleindustria has recently released an excellent short game with the music of Jesse Stiles. In Every Day the Same Dream, you play a man who awakens (continually) to your alarm going off, your clothes waiting to be put on, your television that cannot be watched, your wife who cannot be kissed good morning, traffic, and a seemingly endless cubicle farm where you work. A crone figure in the elevator suggests that you can break away from this routine, somewow. The music hits just the right point between the humdrum repetition of the workday and the idea of an alternative to these. The almost entirely grayscale game doesn’t write a prescription for the player’s happiness, and some of the steps are much sillier than others. Nevertheless, the game hints at how people can explore the everyday and escape the oppression of the ordinary. That’s not bad for six days of game development work and for a few minutes of your time.

This year I read, years after their publication in English, two truly awesome novels.

The design of Uncharted 2: Among Thieves should make integrating gameplay and fiction easier in two particular ways. First, it’s linear, so there’s no need to worry about unexpected traversals of the fictional space. Second, it’s almost entirely scripted — a matter of how adeptly things are accomplished, rather than what approach is taken or what tasks are attempted — so there’s little chance of unexpected emergence from game mechanics coming into play in places, times, or combinations other than what the developer intended. Given these advantages/limitations, the game’s creators shouldn’t have much trouble making sure that gameplay action is solidly motivated by, situated in, and consistent with the fictional world.

Ulriken from our porch, originally uploaded by srett.

The sun peeked out this morning on a clear sky, revealing Bergen blanketed in winter splendor, a day after the winter solstice.

The University of Bergen department of Linguistic, Literary and Aesthetic Studies will have two PhD stipends available in 2010. The stipends are awarded competitively to two of the top candidates who apply. Candidates must have completed an MA degree, have an excellent educational and research record, and have a well-developed project description. Digital Culture is one of the groups within LLE. We have a strong possibility of securing a stipend in this round should an exceptional candidate apply. Applications are accepted internationally. The pay for a PhD candidate in Norway is very good. It is treated as a research job, and pay and benefits are commensurable with many assistant professor positions in the US. I strongly encourage researchers who have completed their MAs with a strong research record in digital culture, particularly electronic literature, to apply. The application deadline is Jan 31, 2010, for three year PhD candidacies to begin in September 2010.

Late yesterday, I wrapped up my long (and very fun) day at Digital Arts and Culture 2009 in Irvine by presenting my paper “The ppg256 Series of Minimal Poetry Generators” in the late afternoon cognition and creativity panel and then by being a part of the extraordinary DAC Literary Arts Extravaganza, quickly presenting selections that I called “Five Uneasy Pieces:”

1. “The Purpling,” a prose poem in hypertext
2. The Marble Index (a work in progress in the interactive fiction system Curveship)
3. “Taroko Gorge,” a poetry generator originally written in 1k of Python

Alex Mitchell just did a great job of presenting thw work he and I did on the influence of interactive fiction platforms: “Shaping stories and building worlds on interactive fiction platforms.” We looked at how TADS 2 and Inform 6, which are really extremely similar development systems created to do almost exactly the same things, nevertheless may offer different affordances to IF authors and may influence the way story words (and other aspects of IF) are developed. Check out the full paper if this interests you.

Ian Bogost and I just gave our talk “Platform Studies: Frequently Questioned Answers” here at Digital Arts and Culture in Irvine, California. There were three other talks – fascinating ones – in this day’s opening plenary session. Garnet Hertz took us into circuit bending, tactical media, and the artistic recycling and reuse of electronic waste. Jason Farman spoke on locative media with a focus on geocaching as technologically-enabled, embodied, proprioceptive play. Conor McGarrigle explored, in detail and with reference to several specific projects, the relationship between the practices of the Situationist International and contemporary locative media work.

Among the many great presentations here at DAC 2009 at UC Irvine, the paper by Aaron Kashtan, “Because It’s Not There: Verbal Visuality and the Threat of Graphics in Interactive Fiction,” was particularly nice to hear. Aaron discussed my 2000 interactive fiction Ad Verbum, related it to Emily Short’s City of Secrets, and presented a nice argument about how these two engage (differently) with text’s ability to represent the visual. Here’s the abstract:

Ian Bogost and I just gave a talk on platform studies at UC Irvine’s Center for Computer Games and Virtual Worlds. We talked about our book on the Atari VCS, Racing the Beam, and about the platform studies concept more generally. A nice crowd came out on the rainy Friday afternoon and engaged us in some good discussion afterwards. Although we’ve both talked about the book and platform studies in several different places, this was the first talk we’ve given together. I think it worked well, but I guess writing a book together is good preparation.

Scott Rettberg’s very verbosely named workshop The Network as a Space and Medium for Collaborative Interdisciplinary Art Practice Conference, which took place in Bergen, Norway this November 8-10, was recorded, and the recordings of the panels are now up as a series of podcasts. It was a great gathering, and I’m glad this documentation of the event is available.

From an email about a conference – the sender and the conference will remain nameless:

Please advise me if your mate will be attending the conference & whether she/he is an ‘adult’ or a ’student’

An interesting development: The magazine Game Developer recently announced the finalists for the 2009 Front Line Awards, gathering “the year’s best game-making tools in the categories of programming, art, audio, game engine, middleware, and books.”

In the book category, the finalists are:

• Game Coding Complete 3rd Edition by Mike McShaffry (Charles River Media)
• Game Engine Architecture by Jason Gregory (AK Peters)
• Mastering Unreal Technology Vol. 1 by Jason Busby, Zak Parrish, and Jeff Wilson (Sams Publishing)
• Racing the Beam: The Atari Video Computer System by Nick Montfort and Ian Bogost (The MIT Press)

Nick Montfort and I are working with a designer to develop a coffee-table photo book version of Implementation, the sticker novel we published in 2004-2005. Originally, most of the photos submitted were of a resolution only suitable for the Web. We are currently looking for readers to help re-implement Implementation and to send in higher resolution photos of stickers in situ. To participate:

1) Email at implementationphotos at gmail dot com with your postal mailing address, and we will send you an installment of stickers from the novel.

2) Choose interesting places to put the stickers up in public environments and stick them there.

Richard Evans

Richard Evans, Electronic Arts

Date: Friday, December 4th
Time: 11:00am – 12:30pm
Location: Engineering 2 – 180 (Simularium)
Hosted By: Professor Marilyn Walker, Dept. of Computer Science

“People Simulations”

Richard Evans is the Senior AI Engineer for The Sims 3 at EA/Maxis, and has previously won awards for his role in developing the AI for Black & White.

In this talk, he will demo three examples of people simulations: Sims 3, Sim Philosophers (a simulation of philosophical debate), and Sim Diary (a model of text generation based on personality traits). He will focus on what these simulations have in common: a model of social understanding combined with a model of individual personality.

The Maryland Institute for Technology in the Humanities (MITH) has just announced a site showcasing the Deena Larsen Collection, which Deena gave to MITH in 2007. Early on, Deena wrote two Eastgate-published pieces, Marble Springs and Samplers, but these are only two of dozens of pieces she has developed individually and in collaboration over the years. In addition to creating e-lit for decades, she has amassed published and unpublished material from a wide range of e-lit authors along with many computers and print materials. MITH has also announced that they are now

I got word from Nitin Sawney, founder of Voices Beyond Walls (which conducts storytelling and video production workshops with youth in the West Bank) and the Boston Palestine Film Festival, of a new site that MIT has launched: Jerusalem 2050: Visions for a Place of Peace. On the site, you can register and engage with other community members about projects and prospects, and can read the project Nitin and two others have undertaken, “Media Barrios: Envisioning Jerusalem through Media Barrios and Performance Spaces.”

I’m pleased to announce that the Call for Papers for the Workshop on Procedural Content Generation in Computer Games is now available. The PC Games workshop is co-located with FDG 2010 this coming June in Monterey, California. Deadline for submissions is February 24, 2010.

From the website:

Tonight, Kathe Kollwitz of the Guerrilla Girls joined the variable_d salon to discuss activism in a digital age. Formed in 1985, the artists assumed the names of dead women artists and wore gorilla masks in public, concealing their identities and focusing on the issues rather than their tastes adn personalities. Between 1985 and today, over 100 women, working collectively and anonymously, have produced posters, billboards, public actions, books and other projects bring gender issues to the forefront of public debate and discussion.