Grand Text Auto

Professor Flanagan discusses Tiltfactor’s work during the online Games for Impact festival in Poland celebrating games with social impact on December 8-11, 2020.

Check out this comprehensive report on Tiltfactor’s large multi-year research project on bias and women inn STEM! Cutting Through the Bias: Using Games and Interactive Experiences to Transform Bias Against Women in STEM, is now available on Amazon!

In January 2021 Tiltfactor Lab will kick-off a new project with the National Academy of Sciences LabX to design and develop a board game to engage and excite players about science!

Amazing Quest should be completely open to the interpretation of players, to their appreciation of it, and, if they choose, to their rejection of it.

I refrained from discussing anything about the game during the IF Comp. Now that it’s over, I am glad to answer some questions that have arisen—with the earnest hope that my answers don’t preclude people from coming up with their own interpretations and responses.

These aren’t really frequently asked questions, but they are all actually questions that have been asked at least once. When I quote directly, the quotations are from anonymous feedback from IF Comp players. Whether quoted or in paraphrase, all of these are real questions or responses that I’ve gotten.

Professor Mary Flanagan and Max Seidman contributed to an article entitled “Developing and piloting videogames to increase college and university students’ awareness and efficacy of the bystander role in incidents of sexual violence.” Games for Health Journal 8, no. 1 (2019) 24-34. The article is cited in Catherine Sanderson’s new book, Why We Act: Turning Bystanders into Moral Rebels.

Sharang Biswas D’12 TH’13 and former Tilt staff member has done it again! His new game: Honey & Hot Wax: An Anthology of Erotic Art Games has been nominated in the 2020 IndieCade Games. His 2018 game: Feast won the Indie Groundbreaker Award for “Most Innovative” game and was nominated for “Game of the Year” at the same awards.

Figma Visual Game; Temptation by Akiah Watts (above) and stig · ma  by Irene Lam (below) explore social conflict admist pandemic times.

Professor Mary Flanagan became chair of the Film and Media Studies Department in June. 

Professor Flanagan spoke as part of a introductory program for incoming graduate students organized by USC with the support of Tencent. On staying focused and productive during COVID, Flanagan says she consistently makes time for “offscreen art making”, to alleviate burn-out and remain creative.

Zuff Idries ’18 Wins Script Competition

About four million Google hits for “peaceful protesters,” only about 55,000 for “peaceful police.” Anyone who has been reading the news will have seen the phrase “peaceful protesters” again and again—and probably will not have seen this other phrase. Does that mean peaceful protesters outnumber peaceful police 80 to 1? Or at least that we think and speak as if this is the case?

The Dice Tower Network features Dr. Flanagan in its podcast that explores games, game design, history and culture. This episode is hosted by Gil Hova and Emma Larkins, both tabletop designers. The hour long conversation explores psychology and games, and the meaning of games from a long term humanistic perspective. Happy listening. https://podcasts.apple.com/us/podcast/ludology/id419046224

Please enjoy Post Hoc, a show I’ve put together with generous contributions from a baker’s dozen artists and seven writers. There was no pre-established theme for Post Hoc, which was prompted by our inability to get to IRL galleries and museums. Artists were simply asked for digital images, any digital image they considered an artwork. (Several works in the show do have other manifestations.) The work in the show is all from 2020. I solicited 1000–1200 character responses to each piece.

Agnieszka Kurant   response by Mary Flanagan

Christian Bök   response by Paul Stephens

Risk Management [Europe]
Agnieszka Kurant
2020
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The Library of Babel – Hexagonal Drawing in English
Christian Bök
2020
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FLY PIECE
Daniel Temkin
2020
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Cabaret #7
Derek Beaulieu
2020
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of 8″ × 8″ Letraset on Paper

Lauren Lee McCarthy
2020
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of Performance, Custom Software and Electronics, Installation, Digital Image

“Am well. Thinking of you always. Love.” Isolation #6
Lilla LoCurto & Bill Outcault
2020
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of 18″ × 12″ Cattle Marker, Powdered Pastels, Pencil, Graphite on Paper

Outtake
Olia Lialina
2020
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Visual Entanglement, 2020
Manfred Mohr
2020
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Head 4.054
Mark Klink
2002
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Yellow Melting Like a Firework Petal, from Space Poem #7 (Color Without Objects: Intra-Active May-Words)
Renée Green
2020
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also, 42″ × 32″ Double-Sided Banner. Part of a Series of 28 Banners

THESE N—-S IS WATCHING
Sly Watts
2020
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of 42″ × 59″ Charcoal, Oil, Oil Pastel, Acrylic, Ink, and Paint Marker on Pastel Paper